Darcey Bella Arnold (b. 1986) is an Australian, Melbourne-based artist of British and Scottish descent. Darcey completed a BFA, Drawing at the Victorian College of the Arts, Melbourne (2007), and a BFA, Honours at Monash University, Melbourne (2009). She lives and works in Melbourne.
A selection of recent exhibitions includes: My Mother’s Labour, Sutton Gallery Project Space, Melbourne (2018); Folded brick, Darcey Bella Arnold and Deimantas Narkevičius (LTU) organised by Paulius Andriuškevičius and Nicholas Kleindienst, Neon Parc Project Space, 215 Albion St, Brunswick, Melbourne (2018); and Talking with the Taxman About Poetry, Testing Grounds, Melbourne Arts Precinct (2017).
Darcey’s curatorial projects include Duck on the Pond, involving artists Elena Betros López, Noriko Nakamura, Lisa Radford, Salote Tawale, Roberta Joy Rich and Kalinda Vary at an offsite location in Melbourne (2018); and Bricklaying with artists Dan Moynihan, Georgina Cue and Adam Wood at Rearview Gallery Project Space, Melbourne (2017).
Darcey has been a finalist in the Bayside Acquisitive Art Prize (2019) and the Ravenswood Australian Women’s Art Prize (2018). She attended an Artist-In-Residence program with Eastside International (ESXLA) Los Angeles (2016), and was included in Kimposium, a social sciences symposium curated by Dr Meredith Jones at Brunel University, London (2015).
A 2020 Gertrude Studio Artist, Gertrude Contemporary, Melbourne, Darcey was selected as a finalist in the John Fries Award 2020, with a forthcoming exhibition as part of the award, curated by Miriam Kelly, at UNSW Galleries, Sydney (March, 2021).
Darcey’s inaugural solo exhibition at ReadingRoom, me say edit be, is on view from 7 November–12 December, 2020.
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